STUDIO

Most important in mastering is the music appropriate mixing has been performed, and communication with engineers. Never, it is not intended kind of physician will succeed if there is equipment excellent. However, great equipment for making the magical sound be backed by legendary / modern technology,  It's a fact we can't deny.
 
 

MONITORING

・ATC SCM50ASL Pro
・ATC SCS70 Pro
・musikelectronic geithain RL906

・Violectric HPA V550 PRO
・HEDD HEDDphone
・Focal Clear Professional
 

PLAYBACK/CAPTURE

・NTP DAD AX32 ( 8AD / 24DA )
・BURL AUDIO B2 ADC
・NEVE 8816 with ADC
・RME HDSPe MADI FX / HDSPe AES
・Antelope Audio 10MX
・Antelope Audio OCX HD
・TASCAM DA-3000
・TASCAM SS-CDR250N
・Technics SL-1200GR
 

STEREO PROCESSING

・MASELEC MTC-1X
・MASELEC MLA-2
・MANLEY SLAM! MASTERING with ADC
・Shadow Hills Dual Vandergraph
・NEVE 33609/C
・Dangerous Music BAX EQ
・ZÄHL EQ1
・API 5500
・Bricasti Design M7
 

DAW/PLUGINS

・Steinberg WaveLab Pro 11
・AVID PRO TOOLS 12
・Apple Logic Pro X
・NuGen Audio ISL2
・Softube Weiss DS1-MK3
・Three-Body Tech Kirchhoff EQ
・Eventide SplitEQ
・Sonnox Oxford Dynamic EQ
・FabFilter Pro-Q 3
 
 
 
 
 

Basic

Mastering in SAD lab., begins to be played in the state as it is at all, the sound of the mix that it has been entrusted to us by you. First, we start listen carefully and try to gain a deeper understanding of the the sound that arrived in our studio through the composer, recording and mixing. Next, we applying the appropriate processing on the sound, it is because they aim to music that reaches the hearts of more people. First correct monitoring environment, appropriate processing on it. This is the policy of SAD lab.
 

Monitoring

The monitoring environment of the SAD lab., consists of ATC SCM50ASL Pro, a 3-way active full-range speakers, and SCS70 Pro, an active subwoofer. Each signal is properly processed by the DAD PRO | MON | 3 system and SPQ card built into the DAD AX32 for frequency response and phase correction with delay to provide a perfect monitoring environment. The studio is notable for its ability to "see" the lowest frequencies, which is important for music played on the dance floor. This is definitely a big advantage for experimental bass music; have you ever "seen" a signal running below 40 Hz?
 

Processing

We often process only in the digital domain, if no problem master data. In case of ambient music be made a lot of layer and drone music be contained part of silence, become ruined by the EQ adjustment and a decrease in S/N of just a little. It means this is operation which is against the intention of a composer. Of course, sounds with analog equipment is really attractive. If it is determined that such a process is it useful, we use the analog equipment actively. Magic with analogue equipment has are born by the use of appropriate to each. The clock of all digital devices are locked perfectly by 10MHz rubidium signal.
 

ENGINEER

This studio is run by DOVUASKI, he is a Sound artist, DJ, Engineer, Drummer, Founder of〈SAD〉.
His mastering skills are expertly efficient and creative.  Most importantly, however, his work is thoughtful; the care with which he addresses every component of a recording and includes the artist in the process is absolutely first rate. —Tomas Phillips [ 12k / LINE / SAD rec. ]
 

DOVUASKI 

CONTACT

To contact〈SAD lab.〉, please do the contact form below. If You failed sent a message, Please send a DM on twitter.                 
 

COPYRIGHT〈SAD lab.〉by ENTER SANDMAN LTD. ALL RIGHTS RESERVED.